Making | Talking Pots: Nic Collins on his Pottery Forms
Nic Collins is one of the best wood-firing potters in Britain. Here he talks about some of his favourite forms and the methods behind them.
Nic Collins is one of the best wood-firing potters in Britain. Here he talks about some of his favourite forms and the methods behind them.
First built in 2008, Rogers’ wood kiln now takes its place in his regular rotation of firings throughout the year, its occasional volatility and disobedient nature easily outweighed by the quality of work it produces.
Tucked away into the North-West corner of Cumbria lies Lessonhall, the small village where Jim Malone established his current pottery studio.
In this short article French potter Jean-Nicolas Gérard describes how he throws his glorious earthenware beakers with his typical loose touch.
The third post in our ceramics studio tour series, this week we’ll be looking at the gorgeous Somerset pottery of renowned British potter Mike Dodd.
To celebrate gallery potter Lisa Hammond’s amazing new MBE award, we made a studio tour looking at Lisa’s fantastic Maze Hill Pottery.
In 2007 we first visited the Mashiko studio of internationally renowned Japanese potter Ken Matsuzaki to film the master at work.
Anne Mette’s studio is housed in an old 19th century farmhouse on the coast of Bornholm, a small Danish island in the Baltic Sea.
Back in 2012 at the book launch for our ceramics publication Phil Rogers: A Portfolio, potter Phil Rogers presented an in-depth lecture on his life and work and gave a fascinating throwing demonstration in our gallery front room.
Here we look at how French slipware potter Jean-Nicolas Gérard throws his small vases in his Valensole studio.
Here we take a look at Phil Rogers working with glazes in his studio. We see Phil applying Nuka, Shino and Tenmoku glazes to bisque-fired chawans, yunomis and bottles and experimenting with new glaze recipes and the peculiar behaviours and qualities of each glaze.
In this article we read about the huge risks and rewards involved in wood-firing from the point of view of Devon based potter Nic Collins.