Exhibition | Jean-Nicolas Gérard

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An opportunity to enjoy an extensive walk around French slipware master, Jean-Nicolas Gérard’s 2020 Goldmark exhibition. Max Waterhouse introduces us to Gérard’s new range of white ware and talks us through a variety of very individual, whimsical forms and expressive, animated decorative techniques.

Talking Pots | Anne Mette Hjortshøj | Square Bottles

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Anne Mette Hjortshøj looks at one of her trademark square bottles and reveals the surprising way they are constructed. She talks about the importance of getting away from the wheel and how these bottles serve as a canvas for decoration and experimentation.

Documentary | Lee Kang-hyo | Onggi Master

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Our documentary tells the story of one of the most respected Korean potters, Lee Kang-hyo and his search for a beautiful life, through his work with clay and the love of his family. Set against the backdrop of his South Korean studio, it gives an insight into the spiritual journey that plays a vital part in his artistic practice.

Lee is world-famous for mastering the traditional Korean technique called Onggi – a technique that allows him to make enormous, often man-sized pots. Watch him constructing three of these giant Onggi pots over a five-day period, culminating in an exciting explosion of glaze and colour as Lee sets about decorating them in his inimitable fashion.

Documentary | Phil Rogers | Drawing in the Air

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Filmed on location in Wales, this documentary follows Phil Rogers as he prepares for his 2014 ceramics exhibition at Goldmark Gallery – his first major show in 6 years.

The film shows Rogers at work in and around his studio in Rhayader, Mid-Wales. It shows him throwing cups, bowls and jugs, glazing and decorating and opening his oil and wood-fired kilns.

Rogers discusses his life as a studio potter and the challenges involved. The film also shows a range of his current work.

In Conversation | Jean-Nicolas Gérard | Part 3

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Jean-Nicolas describes himself as an artisan craftsman who, above all, wants his pottery to be used and enjoyed. His work ranges from small mugs, bowls, plates and dishes to large jars and press moulded platters. All are decorated with slip and many with sgraffito and finger marks. He takes the tradition of European slipware and infuses it with elements from modern painting, medieval earthenware and Japanese pottery. In this series he talks about throwing, glazing and decorating and explores the influences that nature and his surrounding landscape have on his pottery.

In Conversation | Jean-Nicolas Gérard | Part 1

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French slipware potter Jean-Nicolas Gérard talks about the inspiration he has drawn from local Provençal pottery and the countryside around his Valensole home. He speaks of the joy of making utilitarian ware to be used and enjoyed everyday, the influence of Japanese pottery, the decorative techniques that he employs and his need for spontaneity, focus and freedom when he is working.

Profile | Jean-Nicolas Gérard: The Potter’s Potter

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Jean-Nicolas Gérard has been working from his studio in the south of France for over 15 years now, producing loose, lively terre vernissée – the French term for slip-decorated earthenware – and enlivening the local Provençal traditions of slipware pottery.