Fire, Wood and Clay: What’s in an Aesthetic?

WLC featured image fire wood clay jpg webp Fire, Wood and Clay: What's in an Aesthetic? Kiln

There can be no denying it: there’s something about wood-firing that produces special pots. But what is it about the wood-fired aesthetic (if there even is one) that captivates? Where does our appreciation for it begin? And, perhaps most important of all: is it still relevant today? Is the wood-fired aesthetic right for our age? … Read more

In Conversation | Anne Mette Hjortshøj | Part 1

in conversation anne mette hjortshoj part 1 jpg webp In Conversation | Anne Mette Hjortshøj | Part 1 Kiln

Join us for this 25 minute conversation with the lovely Anne Mette Hjortshøj, part 1 of 3. She talks about the benefits of living and working on the potter’s island of Bornholm in Denmark, a visit from the Queen, and the joys of being able to discover and use local clays and glaze materials in her work. She discusses how she chooses pots for a gallery show while maintaining artistic integrity and remaining focussed on making pots only for herself. She speaks of her lifelong love of Korean ceramics and her visits to the Mungyeong Teabowl Festival. And finally, she relates the joys of working with other potters, how to be a teacher, how to be a student, the importance of firing test pieces and, most importantly, never to judge pots when first opening the kiln. Enjoy!

Documentary | Lisa Hammond | A Sense of Adventure

lisa hammond tb jpg webp Documentary | Lisa Hammond | A Sense of Adventure Kiln

This documentary follows top UK studio potter Lisa Hammond as she prepares for her 2012 Goldmark exhibition.

Delving into her artistic practice, it provides an insight in to the various stages that go into making her distinctive pieces. We see Lisa at her wheel throwing chawans (teabowls) and a large tsubo jar; firing and unpacking her kiln; and talking about her influences over the years, in particular her love of the Japanese pot making tradition. Also captured on camera is her technique of spraying the soda solution direct into the firebox over a period of three hours, creating the characteristically rich and varied surfaces of her pots.